new music

Calliope House / Stone’s Mongrel

Home recording has never been easier. Recently I have been experimenting with some equipment and have found the audio quality to be quite stunning. The experiments have looked something like this:

recording

I record in my basement in between the furnace going on and off, which is a real pain since it has been so cold lately. Nothing like a perfectly good track ruined by the boiler firing up.

The track at the bottom of this post is made up of two tunes. The first is called Calliope House and is a tune that was written by Dave Richardson of ‘The Boys of the Lough’.

The second tune is one I wrote in January of 2007. I have been attending a session at a pub called John Stone’s Public House. After hearing lots of A minor jigs this tune fell out of my head on the way home from the session. I am quite sure it has to be a mix of all the tunes I had been listening to. The thing I like about the tune is that the A strain has ten measures … two more than is typical.

Stone’s Mongrel

For those interested in the recording details, I used the following equipment:
AKG C1000S microphone ~$200
into a
Pesonus TUBEPre preamp ~$100
into an
Echo Indigo IO ~$150
into the pcmcia slot on my laptop, which is not at all optimized for recording. It has a Pentium M processor, 1500 MHz and 1 GB of RAM.

I used free software called Kristal Audio Engine for mixing tracks, adding reverb, EQ and such. I also added additional effects such as compression from Kjaerhus Audio. They provide a set of free VST plugins.

new music

The Making of a Tune

I have been playing a lot of traditional Irish music at John Stone’s Public House in Ashland, MA lately. One evening, while driving home from the session a few weeks back, I pulled over and jotted down the following tune that was rattling around in my head. I keep a penny whistle lying around my vehicle for these very moments.

The Perfect Pint

A couple days later I continued to work on the tune only to find that I was confused by what I had written. I quickly realized I had written it as if there were a pickup when, indeed, there was none. I then struggled a bit trying to tack on a B part and after an evening of failed attempts I did the only logical thing. I gave up. I have always found that if I force myself to look at a problem from a new perspective, I am often led to a solution that I did not anticipate. One mechanism that I often use when writing music and am in need of a new perspective is to simply change instruments. So, the next day I picked up a bouzouki and … shazam! … the B part presented itself.

When I played it for Mustachio later that week he asked about the name of the tune. ‘Oohh, I haven’t gotten that far’ I said. However, that very same evening the two of us were admiring the love and attention that is put into pouring a pint of Guinness at John Stone’s. So, from that chat I decided the tune should be called The Perfect Pint. Here is the final printed version that I typed into Finale:

The Perfect Pint

Incidentally, here is how you ruin a Guinness .
Here is a basic mp3 of the tune